Explore AI generated designs, images, art and prompts by top community artists and designers.

Ultra-detailed close-up macro photography of the upper section of a navvy blue formal dress shirt , showing half of the shirt collar and top button area. The shirt is made of premium navvy blue oxford cotton fabric with extremely realistic textile texture , visible fine woven fibers , subtle fabric noise , natural creases , and soft highlights created by studio lighting. The fabric surface looks tactile and high-end , with true-to-life cloth depth and thread definition. On the pocket area , a bold red embroidered text reads "HELIOS" is stitched directly into the fabric using dense tatami embroidery technique. The stitching shows clear thread layering , directional stitch patterns , realistic embroidery thickness , and slight thread shine. The embroidery follows the natural movement of the fabric , appearing firmly embedded into the shirt rather than printed. Below it , a smaller white embroidered text reads “SOLUTIONS” , stitched cleanly with consistent tension , sharp edges , and realistic thread density , maintaining a refined handcrafted look. Surrounding the outer edges of the embroidered text , several extremely small miniature 3D cartoon-style human figures are placed only along the perimeter of the embroidered strokes , never overlapping or covering the text. The mini figures appear tiny compared to the stitches , emphasizing scale , as if they are microscopic workers interacting with the embroidery threads. They are positioned standing , kneeling , or leaning against the raised embroidered edges , subtly interacting with the stitching. Although stylized and animated in character design , the mini figures have realistic physical presence: accurate scale , soft shadows cast onto the fabric , natural contact points with the threads , believable lighting interaction , and realistic material rendering , making them feel like real miniature figurines placed on a real embroidered shirt. Soft overhead studio lighting enhances the depth of the embroidery , the realism of the fabric fibers , and the tiny shadows created by the miniature figures. Shallow depth of field , sharp focus on embroidery texture , premium commercial fashion photography style , clean composition , no background elements. ,

A dystopian urban scene depicting a massive , futuristic transport vessel (vessel:1.2) hovering above a bustling street filled with crowds of people in rugged attire. The setting is drenched in a moody , atmospheric haze , illuminated by neon signs (neon:1.2) in various languages. The composition focuses on the interplay between the imposing vessel and the crowd below , emphasizing scale and technology contrast. Use a desaturated color palette to enhance the grim ambience , with sharp focal depth highlighting both foreground and background details. Capture the essence of cyberpunk with intricate architectural elements and power lines (details:1.3). Avoid bright , cheerful colors or idyllic settings to maintain the atmospheric tension (negative: bright colors). ,

I want the images of a storyboard from a short script I have. Here is the Script: In a desolate place , at a time we couldn`t tell due to the erosion of years of decay , where nature had overgrown any type of human civilization , there is a boy , about 14 years of age running. He`s running from something that produces a huge cloud of dust while it throttles. It`s not sure if it`s organic or mechanical; it is completely shrouded of dust and mayhem , and its only visible feature are a couple of lights in its very core. It is not inmensely big but it certainly looks at least twice as big as the boy , but it is not agile , not like the boy , that looks quite useded to doing things like fleeing on a daily base. You can tell the boy is not as scared as he looks excited. The boy is jumping over leftovers of barren buildings , hips of garbage , sliding under tumbled things , makeshift tunnels , broken windows , etc , tracing a line that is blindly followed by its chaser. All the way guiding it to an intersection of two collapsed buildings upon each other , leaving enough space for a slim figure to squeeze itself through , knowing that the chaser will follow through the boy slid in , and right behind him the chaser came forcefully , but it got stucked. I`d like this in the first panel: Panel 1: Wide Shot – The Desolate Landscape Prompt : "A desolate , overgrown wasteland at dusk , filled with crumbling buildings overtaken by vines and debris. A boy , about 14 years old , runs in the distance , pursued by a massive cloud of dust. The scene is rendered in minimalistic line art style , with clean lines and muted tones. Wide shot from low angle , emphasizing scale and atmosphere. Stylized , semi-realistic , cinematic composition." ,