Explore AI generated designs, images, art and prompts by top community artists and designers.

A dilapidated , abandoned orange railway carriage dominates the right side of the frame , riddled with rust and riddled with missing parts. Positioned on an outdoor railway track , slightly tilted towards the viewer , it offers a detailed view of its side. Parallel tracks stretch into the distance , leading to a station or tunnel in the center of the image. The setting is lush vegetation , interspersed with tufts of grass and weeds between the rails. Dense conifers frame the background on either side , and a snow-capped mountain rises beneath a clear blue sky , adding depth and visual interest. The ground-level perspective provides a realistic and immersive view. The natural lighting casts shadows and emphasizes the texture of the ruined carriage. The overall atmosphere is melancholic , evoking abandonment and the passage of time. ,

A sorrowful woman , dressed in tattered , Victorian-era attire , sits amidst a dilapidated , steampunk workshop , surrounded by intricate clockwork mechanisms and discarded inventions , lit by soft gas lamps , casting long shadows , rendered in hyper-realistic pencil style , blending detail with soulful depth , reminiscent of Michael Garmash , Daniel F. Gerhartz , and Jeremy Mann. ,

{Hyperrealistic , 8K , horror lighting , studio lighting , fog/steam , dramatic red glow , 28mm lens , warped camera angles for surrealism , UHD , UNREAL ENGINE 5 , Rendered vector lines , octane rendering.} A hyperrealistic and grotesque image of Trixie , a zombie in the advanced stages of decomposition , in a dilapidated office within a ruined 1920s industrial city. Her mostly skeletal form is covered in dripping mucus and fuzzy mold. Her eyeballs bulge from their sockets , and long , razor-sharp teeth protrude from her jaw. Puddles of muck follow her movements. She sits in a decaying office chair , her long , skeletal legs crossed and glistening with slime in the dim light. Focus on a dangerous full body shot , emphasizing her decaying features , particularly her eyes and teeth. She is ferociously hungry and dangerous. The environment is a violent hell , with crumbling Art Deco buildings and pervasive filth. The scene should evoke a sense of horror and disgust. Style: Hyperrealistic , grotesque , disturbing , with a touch of film noir lighting. ,

{detailed 8k wallpaper} , {In a dilapidated alley} , {{{{{girl focus , A girl , multicolored hoodie , mouth mask , ahoge , crystal pink_hair , glowing eyes , blue_eyes}}}}} , {{{cyberpunk , Sci-fi city , kowloon}}} , {{detailed background}} , {{intricate detail}} , {finely detailed} , {highres} , {Red light , Blue light , Purple light} , {{behind-the-head headphones}} , ,

The image shows a post-apocalyptic setting in a large city. In the foreground is a dilapidated building with broken windows and rubble scattered on the ground. The building appears to have been hit by an explosion or fire , and a part of the structure has collapsed. In the background is a street full of abandoned and wrecked cars. Some cars are burnt out and others have broken windows. It is evident that there has been a great chaos in the street. In the sky , a dense cloud of black smoke is seen rising from various points of the city. The smoke is so thick it almost blocks the sun , and the air is thick with ash and particles. On the horizon , a large building is seen on fire. It appears to be an office building or a government building , and the flames are so intense that sparks and hot pieces of metal are seen shooting out of the structure. In the center of the image , you can see a group of people who have survived the disaster. They are dressed in dirty and torn clothes , and have expressions of fear and despair on their faces. They are gathered around a small campfire , probably trying to find safe shelter and food. Overall , the image conveys a sense of total destruction and chaos. It is clear that something terrible has happened in the city , and that life as we knew it has been changed forever. ,