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Description of the visualization and control system of the automation complex The purpose of the system is to provide the operator with a single , intuitive interface for monitoring and managing all subsystems of the complex in real time. Architecture of the main window (Generalized Status Panel): The main screen is designed according to the principle of "from general to private". The center contains critical information about the power supply system , on which all other systems depend. The remaining subsystems are grouped logically around the center. 1. Central unit: Power supply system It is visualized as a circle divided into three sectors. Large left sector (≈45%): Transformer substations (TP) 5 blocks are displayed , one for each TP. Each block contains: TP number/name (for example , TP-1 , TP-2). The indicator of the active power line: The "Network" icon with backlight (green - main , yellow - backup). Transformer status: "Main" / "Standby" (or icons). Key parameters from accounting nodes: Current (I) , Voltage (U) , Power (P). The values are output for the active line. General TP status: Color indication (Green - Normal , Yellow - Warning , Red - Emergency). Large right sector (≈45%): Main switchboards 5 blocks are displayed , one for each storage unit. Each block contains: The number/name of the GRSH (for example , GRSH-1). Active power line indicator: Similar to TP. Key parameters from accounting nodes: I , U , P. The general status of the GRS: Color indication. Lower small sector (≈10%): Uninterruptible power supply (UPS) Large text or pictogram status indicator: "Mains operation" (Green) "Battery operation" (Yellow/Orange) Battery level indicator: Percentage scale (from 0% to 100%). The color varies depending on the level (green >50% , yellow 20-50% , red <20%). 2. Peripheral blocks around the center They are arranged around a central circle , forming a "rim". Upper and lower parts of the rim: Ventilation of the web blowing Upper part: 9 installations on top. The lower part: 9 installations from the bottom. There are 18 icons/blocks in total. Each icon represents one installation and has a color indication of the status.: Green: Enabled Gray: Turned off Red: An accident (for example , the differential pressure sensor on the filter went off , an error in the drive) Black/Blue: No power supply When hovering over the cursor , a tooltip appears with details (the condition of the fan , valve , filter blockage). Left and right sides of the rim: Indoor ventilation The left and right sides are divided equally to display the 12 settings on each side. There are 24 icons/blocks in total. The same color status indication for each installation. 3. Corner blocks: Other subsystems They are located in the four corners of the screen for easy and fast perception. Upper left corner: Roller shutters (48 pcs.) Summary information is displayed as an information block.: "Closed: XX / Open: XX" (numeric values). A graphical indicator (for example , a stripe divided into green and blue parts , proportional to the number). General status: Green icon "OK" or Red icon "Emergency" (if at least one roller shutter has an emergency status). Upper right corner: Elevators (2 pcs.) Two vertical blocks , one for each elevator. Each block contains: Elevator number (Elevator 1 , Elevator 2). Floor indicator: A large number (for example , 3). Motion indicator: Up/down arrow or Stop icon. General status: The background color of the block (Green - normal , Gray - power off , Red - emergency , Blue - no connection). Lower left corner: EVIL Lights (Roof lamps) A large indicator in the form of a stylized lamp or icon. Color status indication: Bright Yellow/White: Included Gray: Off Red: Crash Black/Blue: No power supply Lower right corner: Heated storm drains Similar in style to the "Fires of EVIL" block. Color status indication: Orange/Red: Enabled Gray: Off Red (flashing): Crash Black/Blue: No power supply Navigation and management: Main Screen: It is an overview map. All the elements on it are clickable. Details: Clicking on any sector (TP , GRS , ventilation group , roller shutter unit) opens a new window with detailed information: TP/GRS: Single-line network diagram , status of all feeders and sectional switches , detailed power parameters. Ventilation: Detailed status of each piece of equipment in the selected group (fan , valve , filter condition) , possibility of manual control. Roller shutters: A table or plan of the building with the condition of each of the 48 roller shutters , group and individual control buttons. Control: The control buttons (Start , Stop , Open , Close) are located on the detailed screens. On the main screen , quick action buttons ("Emergency activation") can be displayed for critical systems (for example , EVIL lights). Visual style: Color scheme: An intuitive color palette is used (Green is the norm , Yellow/Orange is a warning , Red is an accident , Gray/Blue - disabled/no data). Fonts: Clear , easy-to-read fonts. Critical information is displayed larger. Animation: Minimal and informative (for example , smooth change of values , flashing for emergency states). ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails.one coqui and the other a cotorra ,
A treehouse floating among clouds , its roots entwined with a cozy sofa below , a woman releasing origami birds towards a starlit horizon , earth-toned cushions merging with cosmic blues , small details: - Steaming teacup with constellations - Phone screens transforming into butterflies - Bare feet half on grass/half on clouds Style: Studio Ghibli meets magical realism , warm palette (ochre/terracotta/sage) , soft glow lighting , aspect ratio: 16:9 --v 6.0 --style raw ,
A diverse group in a community garden at twilight , their hands connected by glowing threads extending into: 1) Digital networks (floating screens showing #EthicalTech hashtags) 2) Global relief maps (food packages flying towards crisis zones) 3) Tea ceremony with shared cup emitting light particles , Style: Lois van Baarle meets ethnographic art , muted greens/purples/golds , intricate linework , aspect ratio: 4:3 --no text --s 750 ,
A hyper-realistic depiction of a old female piloting a large , industrial-style scooter in a relaxed pose. The scooter retains its bulky and mechanical design , constructed with white armor and orange accents , realistic look. The cockpit made from glass like glass , revealing the pilot seated and drive , leaning slightly on one armrest , with a action and contemplative expression. Her techno outfit is casual , contrasting with the scooter's imposing and heavy-duty aesthetic. The scooter's design includes large , rounded feet for stability , sturdy hydraulic joints , and visible pistons and wiring for enhanced realism. The cockpit is equipped with detailed controls , levers , and screens that showcase faint glowing interfaces. The metallic surfaces of the scooter have soft reflections , showing realistic lighting with highlights on edges and shadows in recessed areas. The background is a workstation , providing a stark contrast that emphasizes the metallic textures and overall composition. Lighting ,
A female soldier piloting , military-style caterpillar in a relaxed pose. The massive caterpillar retains its bulky and Anti missile system design , constructed with polished green and its articulated deep blue lapis lazuli , realistic look. The cockpit made from glass like triangle , revealing the pilot seated and drive carefully. Her techno outfit is military uniform , including a jacket and shirt , contrasting with the caterpillar's imposing and heavy-duty aesthetic. The caterpillar's design includes large , rounded feet for stability , sturdy hydraulic joints , and visible pistons and wiring for enhanced realism. The cockpit is equipped with detailed controls , levers , and screens that showcase faint glowing interfaces. The metallic surfaces of the caterpillar have soft reflections , showing realistic lighting with highlights on edges and shadows in recessed areas. The background is a war-zone landscape , providing a stark contrast that emphasizes the metallic textures and overall composition. ,
The moment the towering , hyper-muscular blondes strike their jaw-dropping flex in front of the growing crowd , dozens of phones and high-end cameras capture it from every angle. The larger woman , holding the freshly bent 2-inch steel bar like a trophy , raises one arm into a slow , confident bicep flex. Her rival mirrors the pose beside her , both women smiling — proud , radiant , colossal. Within hours , the footage hits social media: a 12-second slow-motion clip captioned , *“WHO ARE THESE WOMEN?!”* goes viral across every platform. News outlets pick it up , splashing the image across screens with headlines like: **“SUPERHUMAN MUSCLE GODDESSES SHOCK RESORT GUESTS”** **“IS THIS REAL? Experts Analyze Viral Muscle Giants”** **“GENETIC MIRACLE? OR SOMETHING ELSE?”** In the background , beachgoers freeze mid-step. Some scream. Some cheer. One man is seen dropping his drink in awe as the taller woman’s muscles visibly ripple during the flex. Her bikini top creaks audibly under the pressure but holds. Light reflects off her sweat-covered , deeply striated body like polished stone. Her expression: a calm , amused smirk — as if she knew the world would notice eventually. A CNN-style lower third flashes across a photoreal frame: **BREAKING: MASSIVE WOMEN BEND STEEL WITH BARE HANDS — REAL OR CGI?** The screen shows split images: one flexing , the other mid-growth surge. Scientists , influencers , gym fanatics , and talk show hosts begin weighing in. Shot on RED Komodo 6K and Canon EOS R5 , 35mm and 50mm mixed footage , drone overhead cutaways , 8K downscaled to 4K for broadcast. Photorealistic , cinematic depth , news banner overlays , glowing phone screens , HDR skin highlights , social media UI overlays subtly visible in composite frames. --no cartoon , anime , painting , nudity , blur , distortion , over-stylization , uncanny rendering , low detail ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails.one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails.one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails. one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails. one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails. one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails. one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails. one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails. one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails. one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails. one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails. one looks like adolf hitler the other like donald trump ,
Two 3D cartoon characters , upper body only , expressive faces , joyful and energetic pose. Pixar-like style with smooth surfaces and vibrant lighting. Big eyes , rounded features , slightly exaggerated proportions. Red background with dynamic shapes or streaks. No text , no logos. Style of mobile game splash screens or animated YouTube thumbnails. one looks like adolf hitler the other like donald trump ,
Create a vibrant , futuristic digital artwork inspired by the immersive metaverse world of Somnia. The scene features a dynamic avatar character styled as a metaverse explorer , blending cyberpunk and fantasy aesthetics with glowing neon accents in electric blue , purple , and pink tones. The avatar is equipped with sleek VR gear and holographic interfaces floating around them , symbolizing interaction with Somnia’s virtual playground and NFT ecosystem. In the background , depict a surreal digital landscape combining elements from Somnia games-floating islands , futuristic cityscapes , and abstract 3D shapes-rendered in a semi-realistic style with high detail and smooth gradients. Include subtle references to Somnia NFTs , such as pixel-art inspired tokens or digital canvases showcasing 2D NFT art , integrated naturally into the environment. Compositionally , place the avatar centrally in the foreground with holographic UI elements orbiting around , creating a sense of motion and interactivity. The background should be expansive but softly blurred to emphasize the avatar and digital artifacts. Use a cool color palette dominated by blues and purples with neon highlights to evoke a high-tech , immersive atmosphere. The style should be a blend of photorealistic digital painting and stylized cyber-fantasy , with crisp lighting effects that simulate the glow of virtual screens and ambient neon lights. The mood is inspiring and adventurous , inviting viewers to explore the limitless creativity of the Somnia metaverse. ,
Overhead strategic game screenshot set in a semi-stylized industrial society. The terrain is a dry wasteland or tundra , with soft brown and grey tones under nighttime lighting. The architecture features simple , modular blue housing pods with glowing yellow windows , shaped like rounded containers. Around them are scattered crates , mining equipment , warehouses , cargo containers , and large industrial structures with bold geometric forms. Monorail systems connect various sectors , elevated on thin supports. The design is non-photorealistic , somewhat cartoonish yet grounded , resembling graphics from a city-building strategy game. Lighting is soft but moody , with scattered lampposts and faint glowing lights from buildings. Small human characters are visible , giving a sense of life and scale. The overall look is atmospheric and functional — a believable , toy-like world focused on logistics , mining , and survival. ,
Overhead strategic game screenshot set in a semi-stylized industrial society. The terrain is a dry wasteland or tundra , with soft brown and grey tones under nighttime lighting. The architecture features simple , modular blue housing pods with glowing yellow windows , shaped like rounded containers. Around them are scattered crates , mining equipment , warehouses , cargo containers , and large industrial structures with bold geometric forms. Monorail systems connect various sectors , elevated on thin supports. The design is non-photorealistic , somewhat cartoonish yet grounded , resembling graphics from a city-building strategy game. Lighting is soft but moody , with scattered lampposts and faint glowing lights from buildings. Small human characters are visible , giving a sense of life and scale. The overall look is atmospheric and functional — a believable , toy-like world focused on logistics , mining , and survival. ,