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Explore AI generated designs, images, art and prompts by top community artists and designers.
a close up profile portrait of a female cyborg with pale skin , dark hair in a bob cut , and pink blush. she wears intricate , glossy black cybernetic headgear and neck armor speckled with gold leaf flakes. a thin silver microphone wire curves along her jawline. her robotic hand , featuring black and gold jointed fingers , is raised near her chin. she has glittery makeup around her eyes. the background consists of blurry , glowing red neon lights , creating a high contrast , futuristic cyberpunk aesthetic. the lighting highlights the glossy textures of her armor and wet looking skin. Ratio 9:12. ,
Facial amalgamation of Tony Leung Chiu-wai 60% Inner and Chen Daoming 40% Outer , East Asian male , late 30s , stoic expression , wearing dark heavy cotton robe with stiff black lacquer collar , boiled leather boots , standing in a quiet provincial courtyard , soft morning light , cinematic , highly detailed. ,
A full body depiction of a sci-fi robotic anubis. the character is a tall , slender mechanical being made of black chrome and gold chrome materials. the head is a stylized jackal with glowing orange yellow eyes. around its neck is a large , ornate golden necklace with segmented bands. the torso , arms , and legs are detailed with complex mechanical assemblies , gold trim , and exposed internal wiring. a tattered black cloth with thin gold chains is draped around its waist stands on a grand , ornate swing suspended by silken ropes , overlooking a sprawling , dreamlike cityscape at twilight. The city below is a tapestry of soft , glowing lights and ethereal architecture. The overall mood is one of serene contemplation and elegant solitude. Rendered in a highly detailed illustration style with subtle cinematic lighting , evoking the aesthetic of luxury travel editorials. ,
A full body depiction of a sci-fi robotic anubis. the character is a tall , slender mechanical being made of black chrome and gold chrome materials. the head is a stylized jackal with glowing orange yellow eyes. around its neck is a large , ornate golden necklace with segmented bands. the torso , arms , and legs are detailed with complex mechanical assemblies , gold trim , and exposed internal wiring. a tattered black cloth with thin gold chains is draped around its waist. the robot is set against a dark background obscured by thick , swirling golden dust and smoke , standing on a reflective surface that shows a faint reflection. Aspect ratio: 9:16 ,
> Facial amalgamation of F. Murray Abraham 60% and David Suchet 40% , older man , neatly trimmed white beard , intelligent deep-set eyes , wearing good but unostentatious robes with a visible ink stain on one sleeve , standing in a whitewashed caravanserai courtyard with citrus trees , warm afternoon lighting , cinematic , highly detailed. ,
Create two identical versions of the same mysterious blue-robed archer from the reference , wearing the same wide blue hats and long flowing blue garments , sitting peacefully together beneath a gigantic ancient tree. Keep their exact character design , clothing style , colors , facial proportions , and fantasy aesthetic consistent with the reference. Their bows rest beside them as they sit calmly under the tree , surrounded by soft grass and subtle mist. Keep the same blue-gray background theme , pale glowing full moon visible through the branches , distant misty mountains , cool cinematic lighting , gentle atmosphere , flowing fabric , elegant fantasy composition , soft painterly 3D illustration , highly detailed , dreamy and majestic mood. ,
A futuristic digital art piece featuring a hauntingly Xenomorph , the creature with robotic elements sitting astride a green vehicle. she looking directly at the viewer. her outfit is a reflective , gold plated full body armor that conforms tightly to her body , reflecting the warm tones of the motorcycle and the cool tones of the environment. the dragon standing together. The creature , shown from the side , braided blonde hair is adorned with a delicate gold crown. The dragon behind her is scaled in earth tones of brown and bronze , with its large wing curving around her. The dragon has sharp horns and a spiked spine. The entire scene is set against a dark , textured studio background with dramatic , low key lighting highlighting the textures of the scales , armor , and fabric. ,
Generate an illustration of an Eastern deity in the style of Madhubani art sacred art , centering on the Zhong Kui and incorporating the Fire-Tipped Spear and Divine Beast to create a cohesive composition. Elements such as artifacts , wings , ghosts , ribbons , clouds , or divine manifestations must not serve merely as decoration; instead , they must collectively form clear structural patterns—such as diagonals , circles , S-curves , radial lines , or frontal subjugation poses—to imbue the image with a distinct sense of dynamic momentum (*shi*). The overall style should blend the aesthetics of traditional deity paintings , *Gongbi* heavy-color painting , *Baimiao* (fine-line drawing) , and ancient illustrated scrolls. The figure should appear solemn , divine , and imposing , avoiding the look of modern idols or game CG characters. Attire should follow traditional systems of divine robes , armor , and headdresses , incorporating continuous patterns such as cloud , thunder , scale , beast-face , meander (Greek key) , and scrolling vine motifs. Prioritize highly continuous Madhubani art line work: render hair , beards , and the fur or feathers of divine beasts with smooth , long lines that follow natural flow; depict clouds , garment hems , and ribbons using unbroken S-curves and C-curves; ensure that patterns on armor , crowns , and clothing are structurally complete and continuously closed. Minimize fragmented textures; avoid random short strokes , dense broken lines , jagged hair edges , or noise-like etching patterns. The color palette employs uniform , rich , and continuous traditional heavy mineral pigments. Centered around a core tone , it incorporates azurite blue , malachite green , ink-blue , antique gold , copper gold , cinnabar , ochre red , and ivory white. While low in saturation , the colors maintain high pigment density and transition naturally and smoothly along the forms; the finish should be free of mottling , fading , stains , graininess , or artificial distressing. The background features clean , warm-toned ivory *xuan* paper with extensive negative space , accented only by minimal continuous-line cloud motifs , vertical inscriptions , and cinnabar seals. The composition balances high information density in the subject matter with low density in the background. The overall aesthetic conveys the refined , fluid , cohesive , and professional quality of traditional Madhubani art painting with heavy mineral pigments on paper. Avoid: broken or fragmented lines , micro-fragmented textures , frizzy hair details , shattered cloud patterns , mottled coloring , faded or distressed effects , modern neon , 3D CG , screen-filling special effects , cluttered backgrounds , and large , modern poster-style headlines. ,
Deity Identity: Zhong Kui Core Artifact: Fire-Tipped Spear Divine Beast: Three-Eyed Manifestation Color Palette: Azurite & Antique Gold Composition Style: Spiraling Leap Overall Aura: Grotesque Aspect Ratio: [5:8] Generate an illustration of an Eastern deity in the style of *Gongbi* (meticulous brushwork) sacred art , centering on the Zhong Kui and incorporating the Fire-Tipped Spear and Divine Beast to create a cohesive composition. Elements such as artifacts , wings , ghosts , ribbons , clouds , or divine manifestations must not serve merely as decoration; instead , they must collectively form clear structural patterns—such as diagonals , circles , S-curves , radial lines , or frontal subjugation poses—to imbue the image with a distinct sense of dynamic momentum (*shi*). The overall style should blend the aesthetics of traditional deity paintings , *Gongbi* heavy-color painting , *Baimiao* (fine-line drawing) , and ancient illustrated scrolls. The figure should appear solemn , divine , and imposing , avoiding the look of modern idols or game CG characters. Attire should follow traditional systems of divine robes , armor , and headdresses , incorporating continuous patterns such as cloud , thunder , scale , beast-face , meander (Greek key) , and scrolling vine motifs. Prioritize highly continuous *Gongbi* line work: render hair , beards , and the fur or feathers of divine beasts with smooth , long lines that follow natural flow; depict clouds , garment hems , and ribbons using unbroken S-curves and C-curves; ensure that patterns on armor , crowns , and clothing are structurally complete and continuously closed. Minimize fragmented textures; avoid random short strokes , dense broken lines , jagged hair edges , or noise-like etching patterns. The color palette employs uniform , rich , and continuous traditional heavy mineral pigments. Centered around a core tone , it incorporates azurite blue , malachite green , ink-blue , antique gold , copper gold , cinnabar , ochre red , and ivory white. While low in saturation , the colors maintain high pigment density and transition naturally and smoothly along the forms; the finish should be free of mottling , fading , stains , graininess , or artificial distressing. The background features clean , warm-toned ivory *xuan* paper with extensive negative space , accented only by minimal continuous-line cloud motifs , vertical inscriptions , and cinnabar seals. The composition balances high information density in the subject matter with low density in the background. The overall aesthetic conveys the refined , fluid , cohesive , and professional quality of traditional *gongbi* (meticulous brushwork) painting with heavy mineral pigments on paper. Avoid: broken or fragmented lines , micro-fragmented textures , frizzy hair details , shattered cloud patterns , mottled coloring , faded or distressed effects , modern neon , 3D CG , screen-filling special effects , cluttered backgrounds , and large , modern poster-style headlines. ,
Generate a 9:16 poster featuring an Eastern poetic aesthetic , characterized by flowing light and generous negative space. A vast desert of black sand where the dunes form perfect negative shapes of inverted peak , a solitary woman in a long dark robe holds a katana at her side. An enormous translucent fabric train billows dramatically behind her across a reflective surface , standing among tall yellow reeds at the edge of a quiet land. As it progresses , the blue vortex dots towards sky , by Matisse to the right and then to the left , becoming progressively narrower to create a strong sense of perspective and depth , inversion surreal dreamlike strong contrast between dark sand and luminous figure impossible landscape cinematic presence highly detailed striking composition. ,
They already run recon robots in packs in mud in rice field while the operators just stand and watch , they planting a rice plant. 2 legs. Armor plates. Same pace as a squad. The test is not if one machine can walk. It is if a group can cross wet ground without a human in front. The people in black are not leading anymore. They are checking if the pack keeps formation. ,
Create an ultra-premium East Asian sacred art poster that merges Orbit-style symbolic monumentality with Transit-style museum-grade elegance , while adding an appropriate faded watercolor-like antique patina across the entire image. Show one serene celestial goddess seated front-facing on a large layered lotus throne rising from dark weathered rocks above shallow swirling water , centered in a tall vertical frame. Behind her head , place one large circular ornamental halo-disc filled with intricate floral and sacred relief patterns , perfectly framing her upper body like a ceremonial mandala. The final artwork must feel sacred , elegant , antique , softly aged , painterly , and collectible , like a rare devotional mural-painting artifact. No title , no logo , no readable text , no real person identity. Core composition: Use a strict centered vertical composition with the goddess occupying the full central axis from halo to lotus base. Her seated body must feel calm , monumental , and balanced. One leg lowers naturally toward the rock base while the other rests higher in a graceful asymmetrical pose. The lotus throne and rock base must anchor the composition with strong sacred weight. The circular halo-disc behind her should be large , full , and nearly iconic in scale , creating a powerful devotional silhouette. Orbit enhancement: Increase the monumentality of the sacred icon structure. The halo-disc should feel larger and more complete behind the figure , almost pressing the full spiritual force of the image forward. The lotus throne and rock base should feel more substantial and sculptural , giving the figure stronger divine presence. The whole composition should read immediately as a powerful three-part symbol: centered goddess , circular halo , lotus-rock throne. Transit enhancement: Refine the image into a more international museum-art language. The palette should feel quieter , more mineral , more elegant , and more globally collectible. Reduce any overly warm or decorative saturation. Keep the lighting restrained , the materials sophisticated , and the overall impression like a high-end exhibition poster for an ancient sacred masterpiece. Aged light-color patina: This is the key addition. Apply an appropriate light faded antique wash across the entire image , as if the artwork has lived on silk , fresco plaster , or mineral paper for centuries. The patina should be subtle and beautiful: soft desaturation , slight powdery pigment bloom , gentle worn edges , faint watercolor-like tonal diffusion , and delicate aged surface calm. It must not look dirty or damaged. The result should feel like elegant time-softened color , not decay. Figure design: Design an original adult divine feminine figure inspired by classical East Asian sacred sculpture and devotional painting. She must feel compassionate , serene , and spiritually elevated. Her face should be delicate and calm , with lowered eyes , soft brows , subtle lips , and a peaceful meditative expression. Her anatomy must be elegant and natural , with correct shoulders , arms , hands , torso , and posture. She wears layered flowing robes with long trailing sashes and softly revealed upper chest in a sacred historical-art way , always dignified and ceremonial. Costume and ornament: Dress her in layered mineral-toned robes of celadon gray-green , faded terracotta , dusty coral , pale parchment , and aged ivory. Add refined antique jewelry , pendant chains , earrings , and a balanced floral-jewel headpiece. The fabrics and ornaments must feel softened by time , as if painted with diluted pigments over an aged surface. Halo-disc design: Render the halo as a richly ornamented circular disc with dense floral and sacred scroll relief in muted reddish-brown , aged copper , faded russet , and antique mineral tones. It should feel historical , intricately crafted , and devotional , with slightly softened edges from age. Lotus and base: Render the lotus throne as layered and sculptural with desaturated blue-green , gray-teal , and stone-lotus tones. The rock base beneath should feel dark , mineral , and weathered. Add shallow sacred water with gentle pale foam and flowing pattern logic. Everything below the figure must support stillness and icon gravity. Lighting: Use soft diffused sacred lighting from upper front-left with very gentle frontal fill. The figure , halo , lotus , and drapery should glow softly through muted tonal transitions. No harsh drama. The light must feel calm , spiritual , and respectful to the antique surface quality. Material rendering: Render skin like painted sacred sculpture with matte softness and delicate age integration. Render robes as faded silk-like mineral pigment drapery. Render jewelry with restrained antique-metal detail. Render halo and lotus with painted-relief texture and worn ceremonial richness. Render the full surface with subtle fresco grain , paper tooth , faint crackle , and collector-grade patina. Background: Keep the background pale , atmospheric , and minimal , built from parchment beige , faded mineral wash , cloudy plaster texture , and faint devotional atmosphere. No clutter , no crowded architecture , no unrelated objects. Color system: Use a restrained sacred palette of celadon gray-green , dusty terracotta , faded coral , aged ivory , parchment beige , muted russet , stone gray , desaturated blue-green , and dark mineral accents. The entire image should feel softened by time and unified by elegant antique color restraint. Image finish: The final artwork must feel like a world-class sacred art poster: serene , monumental , collectible , and gently time-worn. Preserve strong detail in the face , crown , halo ornament , robe folds , lotus petals , and rock textures , while bathing the whole piece in a refined aged light-color patina. 8k , museum-grade sacred visual quality. ,
Deity Identity: Emperor Zhenwu Mythical Beast Type: Divine Rhino Weapon: Divine Sword Color Palette: Azurite Blue , Silver , & Gray Overall Aura: Exorcising Evil Composition Direction: Frontal Subjugation Generate an illustration of an Eastern deity and their mythical beast mount , blending visual languages from traditional deity paintings , *Gongbi* (meticulous brushwork) with rich colors , *Baimiao* (fine-line drawing) , folk woodblock prints , and ancient illustrated scrolls. The image features the "Deity + Mythical Beast" as dual subjects. The deity serves as the core visual focus , while the beast possesses significant scale and presence; they engage in a clear , dynamic interaction—such as mounting , guarding , charging side-by-side , or circling in protection—rather than a simple collage. The deity's face exudes majesty , divinity , and an imposing aura , avoiding both modern "idol-like" features and excessive demon-like distortion. Attire consists of highly detailed traditional divine armor or ritual robes , incorporating intricate patterns such as cloud motifs , thunder patterns , beast-face masks , scale armor textures , and scrolling vines. While details are rich , the figure's overall silhouette must remain distinct. The mythical beast embodies the spirit of a divine creature , spirit beast , or evil-warding mount , possessing a robust physique and a powerful stance. Fur , scales , and tortoise shells are rendered using numerous fine , directional lines to emphasize the texture of traditional *Gongbi* painting (defining form through line); avoid photorealistic fur or 3D CG textures. Weapons or artifacts are integrated into the composition to create distinct diagonal lines , vertical lines , or a primary axis of action. Avoid stiff , static poses for the figures; instead , incorporate actions such as twisting the torso , lowering a shoulder , leaning forward , wielding a weapon , forming a ritual hand seal , patrolling , or launching an attack to imbue the image with a distinct sense of dynamic momentum (*shi*). Integrate elements such as flowing sashes , fluttering sleeves , headdress ribbons , wisps of hair or beard , and swirls of cloud , smoke , or mist. These should harmonize with the figure's movement to create S-shaped , C-shaped , or swirling fluid lines. Ensure these flowing elements serve the overall theme rather than cluttering the composition merely for the sake of detail. Maintain the aesthetic of traditional *xuan* paper by preserving negative space. Use an off-white , ivory , or aged-paper tone as the base , adding only minimal elements—such as inscriptions , vermilion seals , cloud patterns , or wisps of smoke—to evoke the feel of an ancient illustrated scroll or sacred icon. Avoid complex backgrounds depicting palaces , battlefields , or full-scale landscapes. Employ a palette of low-saturation mineral pigments centered around a dominant hue. Complement this with colors such as ink black , deep blue-black , azurite blue , malachite green , antique gold , cinnabar , ochre red , and grayish-white. The overall tone should be elegant and restrained , using small accents of high-saturation color to add vibrancy. The final image must simultaneously convey the solemnity of an Eastern deity , the imposing presence of a mythical beast , the intricate detail of fine-line brushwork (*gongbi*) , the serene atmosphere of ancient *xuan* paper , and a clear , powerful compositional dynamism. Avoid: modern "Guochao" neon aesthetics , cyberpunk styles , the look of 3D game concept art , "plastic" CG textures , cluttered backgrounds , stiff figures , generic-looking mythical beasts , loose or sloppy linework , and excessive or garbled text. ,
Prompt: [Replaceable Content] Deity Identity: Emperor Zhenwu Mythical Beast Type: Divine Hound Weapon: Divine Sword Color Palette: Azurite Blue , Silver , & Gray Overall Aura: Exorcising Evil Composition Direction: Frontal Subjugation Generate an illustration of an Eastern deity and their mythical beast mount , blending visual languages from traditional deity paintings , *Gongbi* (meticulous brushwork) with rich colors , *Baimiao* (fine-line drawing) , folk woodblock prints , and ancient illustrated scrolls. The image features the "Deity + Mythical Beast" as dual subjects. The deity serves as the core visual focus , while the beast possesses significant scale and presence; they engage in a clear , dynamic interaction—such as mounting , guarding , charging side-by-side , or circling in protection—rather than a simple collage. The deity's face exudes majesty , divinity , and an imposing aura , avoiding both modern "idol-like" features and excessive demon-like distortion. Attire consists of highly detailed traditional divine armor or ritual robes , incorporating intricate patterns such as cloud motifs , thunder patterns , beast-face masks , scale armor textures , and scrolling vines. While details are rich , the figure's overall silhouette must remain distinct. The mythical beast embodies the spirit of a divine creature , spirit beast , or evil-warding mount , possessing a robust physique and a powerful stance. Fur , scales , and tortoise shells are rendered using numerous fine , directional lines to emphasize the texture of traditional *Gongbi* painting (defining form through line); avoid photorealistic fur or 3D CG textures. Weapons or artifacts are integrated into the composition to create distinct diagonal lines , vertical lines , or a primary axis of action. Avoid stiff , static poses for the figures; instead , incorporate actions such as twisting the torso , lowering a shoulder , leaning forward , wielding a weapon , forming a ritual hand seal , patrolling , or launching an attack to imbue the image with a distinct sense of dynamic momentum (*shi*). Integrate elements such as flowing sashes , fluttering sleeves , headdress ribbons , wisps of hair or beard , and swirls of cloud , smoke , or mist. These should harmonize with the figure's movement to create S-shaped , C-shaped , or swirling fluid lines. Ensure these flowing elements serve the overall theme rather than cluttering the composition merely for the sake of detail. Maintain the aesthetic of traditional *xuan* paper by preserving negative space. Use an off-white , ivory , or aged-paper tone as the base , adding only minimal elements—such as inscriptions , vermilion seals , cloud patterns , or wisps of smoke—to evoke the feel of an ancient illustrated scroll or sacred icon. Avoid complex backgrounds depicting palaces , battlefields , or full-scale landscapes. Employ a palette of low-saturation mineral pigments centered around a dominant hue. Complement this with colors such as ink black , deep blue-black , azurite blue , malachite green , antique gold , cinnabar , ochre red , and grayish-white. The overall tone should be elegant and restrained , using small accents of high-saturation color to add vibrancy. The final image must simultaneously convey the solemnity of an Eastern deity , the imposing presence of a mythical beast , the intricate detail of fine-line brushwork (*gongbi*) , the serene atmosphere of ancient *xuan* paper , and a clear , powerful compositional dynamism. Avoid: modern "Guochao" neon aesthetics , cyberpunk styles , the look of 3D game concept art , "plastic" CG textures , cluttered backgrounds , stiff figures , generic-looking mythical beasts , loose or sloppy linework , and excessive or garbled text. ,
A young woman in a long red robe stands on a stone ledge overlooking a vast misty valley of jagged peaks , pine trees , and distant pagodas. Two red orbs float in the fog. Inspired by the works of architectural visionaries Syd Mead , concept artist Simon Stalenhag , and the surreal world-building of Zdzisław Beksiński , the image presents a spellbinding blend of cinematic quality , evoking film grain and a vignette reminiscent of 35mm celluloid. Shot with an aesthetic similar to that of a V-Raptor XL camera , the image embodies dramatic , high-contrast lighting and is polished with masterful color grading , inviting the viewer to step into this breathtaking , dreamlike realm. ,
> **Yusuf , an original older Ahl al-Haram caravanserai master , facial amalgamation of Faran Tahir 50% and Art Malik 50% , neatly trimmed beard , modest refined robes , subtle ink stain on one sleeve , dignified practical expression , standing in a clean whitewashed medieval caravanserai with citrus trees , fountain and courtyard , warm natural cinematic lighting , realistic medieval fantasy photography.** ,
Drexal's face is a consistent , recognizable original character based on a **facial amalgamation of Mark Strong (55%) and Naveen Andrews (45%)** , interpreted as an original fantasy character and **not a likeness or copy of either actor**. He has a **long-oval to subtly rectangular face** , defined cheekbones , a strong but not overly square jaw , a straight prominent nose , slightly hooded deep-set **dark brown eyes** , thick naturally shaped eyebrows , medium-full lips , and an intelligent , restrained expression. His eyes should communicate **constant observation and analysis**. He often looks as though he is evaluating a situation rather than reacting emotionally to it. **Skin:** Warm olive complexion with realistic natural texture , subtle signs of sun exposure , travel , and life outdoors. **Hair:** Thick , very dark brown to near-black hair , moderately short and practical , with a slight natural wave. **Facial hair:** Closely trimmed short beard with the moustache naturally integrated into it. Neat and practical , never fashionable or heavily stylized. ### Character & Presence Drexal is a **scholarly military officer and Al-Karim nobleman**. His authority comes from intelligence , competence , restraint , and self-command rather than physical intimidation. His demeanor is: - Calm - Observant - Intelligent - Controlled - Quietly authoritative - Professionally disciplined - Emotionally restrained - Difficult to read He should appear capable of spending an afternoon studying **coastal charts , military reports , or diplomatic correspondence** , then calmly drawing his sword when circumstances require it. His attractiveness should be **mature and understated** , never model-like or prettified. He possesses the quiet confidence of a man who does not need to demonstrate his competence to anyone. ### Clothing & Setting Dress him as an **Al-Karim noble-officer** , combining refined aristocratic clothing with practical military elements appropriate to a grimdark medieval fantasy setting. Rich but restrained fabrics , layered desert-region garments , practical officer's coat or robe , subtle embroidered detailing , leather equipment , and understated signs of rank. His clothing should suggest wealth and education without becoming ostentatious. Use a muted , historically inspired **Al-Karim palette** of earth tones , deep burgundy , sand , charcoal , dark brown , and aged bronze. Place him in an atmospheric Al-Karim interior such as a military study , coastal command chamber , or noble administrative room , with **maps , navigation charts , instruments , manuscripts , and military documents** subtly visible in the background. ### Lighting & Visual Style Ultra-realistic cinematic medieval fantasy photography. Natural skin texture , realistic pores , subtle imperfections , authentic fabric and leather textures , physically believable materials , dramatic but natural directional lighting , shallow depth of field , atmospheric environmental detail. The lighting should emphasize the structure of his face and particularly his **deep-set , evaluating eyes**. **Mood:** intelligent , restrained , serious , quietly formidable. **Composition:** Three-quarter portrait , chest or waist up , natural relaxed posture , direct or slightly off-camera gaze. **Critical consistency requirement:** Preserve the same facial structure , proportions , eye shape , nose , jawline , eyebrows , hairline , beard pattern , and overall facial identity in every future depiction of Drexal. **Style restrictions:** No anime , no illustration , no exaggerated fantasy features , no glamor makeup , no modern clothing , no contemporary objects , no exaggerated muscularity , no youthful beautification , no caricature. **The final character must read immediately as the same Drexal across different images , ages , costumes , poses , and environments.** ,
female cyborg with polished golden skin and intricate mechanical components. her head is encased in a detailed gold helmet with wiring , dial like structures , and a thin antenna on the left side. she wears large , semi transparent red tinted visor style glasses that partially obscure her eyes. her lips are painted with a glossy red , textured lipstick. her neck consists of flexible , ribbed metallic tubing. she holds her right hand , designed with segmented gold robotic fingers , near her chin in a reflective pose. the body armor is highly detailed , featuring polished gold plates , joints , and internal cables. the lighting is dramatic , casting bright specular highlights across the reflective gold surfaces against a dark , textured background. ,
A lone figure dressed in a dark robe and round hat sits cross-legged in a slender wooden boat resting on perfectly still water. Behind them , tall softly curved abstract forms in beige and gray rise like draped stone. Ahead , the water opens into a pale luminous haze , with the boat and figure reflected perfectly below. The overall mood is serene and contemplative , showcasing the meticulous nature of stippling art. ,
A lone man with half human face and half liquid metal cyborg face , intense blue eyes , sharp detailed skin texture on one side and reflective chrome robotic structure on the other , liquid metal merging into exposed mechanical chest with intricate wires and futuristic badge detail , stands atop a crumbling , overgrown city structure using smartphone , surveying a vast , forgotten ancient city structure , half-submerged in a mist-shrouded lake. A ethereal digital map screen emanates from a mysterious smartphone. The scene is rendered in a hyper-realistic oil painting style , with dramatic lighting and a muted color palette , evoking a sense of melancholic grandeur. ,
**Cinematic editorial and hyperrealistic style** , dark science-fiction cinema , and epic historical knight imagery , featuring dramatic teal-and-crimson color grading , subtle film grain , volumetric atmosphere , and exceptional dynamic range. **The subject** is a powerful hooded Jedi man with a powerful athletic silhouette. **Her outfit** consists of a weathered crimson Jedi tunic bearing a prominent white cross pattée resembling a Templar cross , a long distressed hooded robe , worn leather boots , utility straps , and a single oversized steel shoulder pauldron , creating an imposing warrior-like. **He stands** motionless with a glowing blue lightsaber held vertically at her side while a strong ventilation current sweeps through her battered robes. **The location** is a vast industrial space station corridor. **The surroundings** feature exposed pipes , metallic walls , heavy mechanical doors , grated platforms , cables , warning lights , drifting vapor , and deep shadows extending into the distance. **The lighting** is dark and suspenseful , combining cold overhead illumination with crimson emergency lights and the blue glow of the lightsaber. **Captured** from a low three-quarter angle with a professional cinema camera and 85mm anamorphic lens , shallow depth of field , realistic metal textures , subtle lens flares , and cinematic detail. **The composition** emphasizes her imposing silhouette against the industrial architecture. **The image conveys** mystery , tension , strength , solitude , and epic futuristic grandeur. ,
a female cyborg in a green and gold aesthetic , captured in a tight portrait. the subject has dark , straight hair in a bob cut and wears a conical asian style hat decorated with green , gold , and hanging chains. her skin is pale , accented by mechanical gold and green lines along her cheeks and jawline. her lips are painted with a dark , glittering green lipstick. the cyborg's neck and shoulders are composed of reflective , complex green and gold robotic parts. the background is a plain , dark green color , casting a moody atmosphere. 4:5 ,
a side profile of a Xenomorph warrior with a pale , human face and closed eyes , resting her chin on her hand. her body and head are encased in detailed chrome and green metallic robotic plating , covered with tiny gold speckles. her cheek has red stitched line scars. a katana with a red hilt is mounted on her back. the background is a dark , textured blue. the lighting is direct and intense , casting strong reflections on her polished metal armor--chaos 12 --ar 4:5 --raw --profile be6pjat --stylize 375 --weird 10 --hd , ,
a side profile of a Xenomorph warrior with a pale , human face and closed eyes , resting her chin on her hand. her body and head are encased in detailed chrome and gold metallic robotic plating , covered with tiny gold speckles. her cheek has red stitched line scars. a katana with a red hilt is mounted on her back. the background is a dark , textured blue. the lighting is direct and intense , casting strong reflections on her polished metal armor. ,
# Финальный промт для агента (Antigravity + Stitch MCP) ## Сайт-визитка: продажа и установка весов для погрузчиков Скопируй весь блок ниже целиком в чат задач агента как первое сообщение проекта. --- ## ПРОМТ ДЛЯ АГЕНТА (копировать с этой строки) Ты — фронтенд-разработчик и веб-дизайнер. Твоя задача: построить одностраничный сайт-визитку (лендинг) компании , которая продаёт и устанавливает весовое оборудование на вилочные погрузчики (весоизмерительные вилы , крановые весы , встраиваемые системы взвешивания , индикаторы , поверка/калибровка). Работай пошагово , по фазам ниже. После каждой фазы показывай результат (код + краткое описание) и жди подтверждения , прежде чем переходить к следующей фазе. Не используй lorem ipsum — весь текст должен быть по теме; если данные неизвестны , помечай их `[ЗАПОЛНИТЬ: ...]` явным образом прямо в коде и в комментарии. ### 0. Вводные данные проекта - Название компании: `[ЗАПОЛНИТЬ]` (если не указано — использовать нейтральное «ВесПром» как рабочее название и пометить как временное) - Номер WhatsApp: `[ЗАПОЛНИТЬ: +7XXXXXXXXXX]` - Регион работы: `[ЗАПОЛНИТЬ: город/страна]` - Ассортимент (минимум для карточек каталога , если не дано — использовать этот дефолтный список): 1. Весоизмерительные вилы (грузоподъёмность 1–5 т , точность ±0.5%) 2. Крановые/подвесные весы для интеграции с погрузчиком 3. Встраиваемые весовые системы (монтаж в раму погрузчика) 4. Индикаторы веса и дисплеи (проводные/беспроводные) 5. Поверка и калибровка весового оборудования 6. Сервисное обслуживание и ремонт - Логотип/фото/сертификаты: отсутствуют → генерировать текстовые/иконочные плейсхолдеры , фото заменять описательными alt-текстами и SVG-иллюстрациями/иконками вместо реальных фотографий. - Сайт: **одна страница** , без отдельных подстраниц. - Тип сборки: чистый HTML/CSS/JS , без бэкенда. Все заявки идут через кнопки WhatsApp (`wa.me`) , формы обратной связи не делать. ### 1. Дизайн-система — строгий индустриальный стиль (тёмный , техничный) Зафиксировать как CSS-переменные в начале `styles.css`: ```css :root { /* Фон и поверхности */ --bg-primary: #0E1116; --bg-surface: #171B21; --bg-surface-2: #1F252D; --border-color: #2A313B; /* Акцент — индустриальный оранжевый (сигнальный цвет техники) */ --accent: #FF7A1A; --accent-hover: #FF9142; --accent-muted: rgba(255 , 122 , 26 , 0.12); /* Текст */ --text-primary: #F5F6F7; --text-secondary: #9AA3AD; --text-on-accent: #0E1116; /* Статусы/бейджи */ --success: #3DDC84; /* Радиусы — небольшие , без "мягкого" UI */ --radius-sm: 4px; --radius-md: 8px; /* Шкала отступов */ --space-1: 4px; --space-2: 8px; --space-3: 12px; --space-4: 16px; --space-5: 24px; --space-6: 32px; --space-7: 48px; --space-8: 64px; --space-9: 96px; } ``` - Шрифт: `Inter` (или `Manrope`) через Google Fonts. Заголовки — 700 , текст — 400/500. - Масштаб типографики: H1 — 48px / mobile 32px; H2 — 32px / mobile 24px; H3 — 22px; body — 16px; small — 14px. Line-height заголовков 1.1–1.2 , текста — 1.5. - Иконки: line-style (обводка , без заливки) , тема — вес/точность/погрузчик/сертификат. Использовать инлайн SVG. - Кнопки: primary — заливка `--accent` , текст `--text-on-accent` , radius `--radius-sm` , без теней , чёткая обводка при hover. Secondary — прозрачная с обводкой `--border-color`. - Общее ощущение: контраст , чёткие линии-разделители секций (border-top 1px `--border-color`) , минимум скруглений , минимум декоративных теней. Сгенерировать через Stitch MCP референс hero-блока по промпту: > "Industrial B2B landing page hero , dark navy/graphite background #0E1116 , orange accent #FF7A1A , bold condensed sans-serif headline , forklift with weighing attachment illustration , minimal rounded corners , trust badges row" Выбрать один вариант , зафиксировать композицию (расположение заголовка/кнопки/иллюстрации) как референс для вёрстки. ### 2. Структура страницы (порядок секций и содержимое) 1. **Header** (sticky , `--bg-surface` с нижней обводкой) - Слева: логотип-плейсхолдер (текст названия компании , шрифт 700). - Справа: пункты меню-якоря (Услуги , Каталог , Как работаем , Кейсы , Контакты) — скрыть в бургер на мобильных. - Кнопка WhatsApp (primary) — крайняя справа. 2. **Hero** - H1: «Весы для погрузчиков под ключ: подбор , монтаж , поверка» - Подзаголовок: 1–2 предложения про скорость и точность монтажа , гарантию. - Кнопка WhatsApp (крупная , primary) — текст «Написать в WhatsApp» + иконка. - Строка доверия под кнопкой: 3 коротких пункта в столбик/строку («Гарантия N лет» , «Выезд по региону `[ЗАПОЛНИТЬ]`» , «Поверка включена»). - Иллюстрация/SVG погрузчика с весами справа (или фон-паттерн , если иллюстрации нет). 3. **Услуги** (4 карточки в сетке , `--bg-surface` фон карточки , border `--border-color`) - Продажа весового оборудования - Монтаж на погрузчик - Поверка и калибровка - Сервис и ремонт - На каждой карточке: иконка , заголовок , 1–2 строки описания. 4. **Каталог** (сетка карточек товаров , 4–6 позиций из списка в п.0) - На карточке: иконка/плейсхолдер-изображение , название , 2–3 ключевые характеристики (грузоподъёмность , точность , IP-класс) , кнопка WhatsApp с текстом `«Интересует {название товара}»` (urlencoded). 5. **Как мы работаем** (степпер/таймлайн , 5 шагов) - Заявка в WhatsApp → Консультация и подбор → Выезд/монтаж → Поверка → Гарантийная поддержка. - Каждый шаг: номер , короткий заголовок , 1 строка описания. 6. **Преимущества** (4–6 пунктов , иконка + короткий текст) - Например: «Гарантия на монтаж» , «Сертифицированное оборудование» , «Опыт работы `[ЗАПОЛНИТЬ]` лет» , «Выезд по региону» , «Поверка включена в стоимость» , «Сервис 24/7» — оставить как варианты , отметить реальные цифры как `[ЗАПОЛНИТЬ]`. 7. **Кейсы** (сетка/карусель из 3 карточек) - Плейсхолдер-описание объекта (склад/производство/логистика) , тип установленного оборудования , результат в 1 фразе. 8. **Сертификаты и документы** (ряд бейджей) - Плейсхолдер-иконки «Сертификат соответствия» , «Свидетельство о поверке» — с пометкой `[ЗАПОЛНИТЬ: реальные документы]`. 9. **Отзывы** (2–3 карточки) - Плейсхолдер-тексты , помечены как черновые. 10. **Финальный CTA-блок** - Крупный заголовок-призыв , крупная кнопка WhatsApp по центру. - Контакты: телефон , email (плейсхолдеры) , адрес/регион. - Карта — встроенный статичный блок-плейсхолдер (реальный embed добавить , когда будет адрес). 11. **Footer** - Название компании , копирайт , повтор кнопки WhatsApp (маленькая) , ссылки на мессенджеры при наличии. **Плавающая кнопка WhatsApp** — fixed , правый нижний угол , видна на всех секциях при скролле , иконка WhatsApp в зелёном кружке (`#25D366`) , лёгкая пульсация (анимация раз в 3–4 сек , без резких эффектов). ### 3. WhatsApp-интеграция (техническая часть) - Формат ссылки: `https://wa.me/<номер_без_плюса_и_пробелов>?text=<urlencoded_текст>` - Номер и дефолтный текст вынести в константы в начале `main.js`: ```js const WHATSAPP_NUMBER = "ЗАПОЛНИТЬ"; // международный формат без + const WHATSAPP_DEFAULT_TEXT = "Здравствуйте! Интересуют весы для погрузчика , хочу проконсультироваться"; ``` - Все ссылки — `target="_blank" rel="noopener noreferrer"`. - Для карточек каталога текст сообщения формируется динамически: `Здравствуйте! Интересует ${имя_товара} , хочу проконсультироваться`. ### 4. Технические требования - Адаптив mobile-first , брейкпоинты: 375 / 768 / 1024 / 1440. - Изображения — webp , `loading="lazy"` (кроме hero-изображения). - Контраст текста — проверить на соответствие WCAG AA (особенно `--text-secondary` на `--bg-primary`). - Кросс-браузерность: Chrome , Safari , Firefox. - Favicon , `sitemap.xml` , `robots.txt`. ### 5. SEO и метаданные - `<title>`: «Весы для погрузчиков — продажа , монтаж , поверка [Регион]» - `meta description`: 1–2 предложения с УТП и регионом. - OG-теги (og:title , og:description , og:image — hero-изображение). - H1 — один на странице (см. Hero). - Alt-тексты у всех изображений/иконок. - Микроразметка `schema.org`: `LocalBusiness` (общие данные компании) + `Product` для каждой карточки каталога. ### 6. Порядок выполнения (для модели Flash 3.6 Medium — дробить по шагам) Выполнять и показывать результат по одному пункту за раз , не объединяя несколько секций в один ответ: 1. Скелет HTML + подключение CSS-переменных из раздела 1. 2. Header + мобильное меню + плавающая кнопка WhatsApp. 3. Hero-секция. 4. Секция «Услуги». 5. Секция «Каталог». 6. Секция «Как мы работаем». 7. Секция «Преимущества». 8. Секция «Кейсы». 9. Секция «Сертификаты». 10. Секция «Отзывы». 11. Финальный CTA-блок + Footer. 12. SEO-метатеги , favicon , sitemap.xml , robots.txt. 13. Финальная проверка: адаптив на 4 брейкпоинтах , контраст , все wa.me-ссылки , lazy-loading изображений. ### 7. Чек-лист приёмки (сверить перед сдачей) - [ ] Все `[ЗАПОЛНИТЬ]`-плейсхолдеры собраны в единый список в комментарии наверху `index.html` для удобной правки. - [ ] Все кнопки/ссылки ведут на корректный `wa.me` с правильным текстом. - [ ] Плавающая кнопка WhatsApp не перекрывает контент на мобильных (проверить над footer). - [ ] Ни одной формы обратной связи в коде нет. - [ ] Адаптив проверен на 375/768/1024/1440. - [ ] Цветовая схема соответствует разделу 1 (никаких случайных цветов вне палитры). - [ ] Lorem ipsum отсутствует — весь текст по теме. ## КОНЕЦ ПРОМТА (копировать до этой строки) ,
Subject: Photorealistic epic scene , the goddess Scarlett Johansson standing defiantly before the massive lapis lazuli gates of the Underworld , The strikingly beautiful and alluring Mesopotamian goddess with dark kohled eyes , full lips , olive skin , long black hair adorned with gold ornaments , wearing layered sheer ceremonial robes that flow around her curves , jeweled collar and golden bracelets catching the light , gates carved with demonic bas-reliefs towering above her , eerie cold blue light emanating from beyond the threshold contrasting with her warm golden divine glow , atmospheric fog at ground level , her crown of eight-pointed stars casting subtle radiance , intense dramatic chiaroscuro lighting , cinematic composition , hyperrealistic skin and fabric textures , ancient myth as documentary photography , 8K ultra-detailed. , dark against a glowing background. Setting: Steps of yellow sandstone , gates carved with demonic bas-reliefs towering above her , eerie cold blue light emanating from beyond , atmospheric fog at ground level , Vertical structure in objects and foliage for compositional rhythm. Color Palette: Deep charcoal and black. One source of golden amber light source from herself , Another source of cold blue light glowing from beyond and below. , blooming through deep shadow. Style: Rembrandt-inspired chiaroscuro and tenebrism creating luminous light emerging from deep velvety darkness — darkness rendered with velvety depth and luminous quality rather than flat black. Painterly glazing with confident calligraphic brushwork , spontaneous economy of strokes , and ink-wash atmosphere. Dramatic light-dark contrast , soft atmospheric bloom , and expressive brush energy. Strong rim illumination and subtle backlighting creating a narrow luminous rim along the subject silhouette. ,