Explore AI generated designs, images, art and prompts by top community artists and designers.

A close-up shot of a Chernobyl liquidator's gas mask , filling the frame with gritty , realistic detail. The mask is worn and authentic , modeled after Soviet-era designs with rounded lenses , thick rubber seals , and heavy straps , covered in ash and grime from the reactor’s fallout. The lenses are the focal point , each glass surface slightly warped and scratched , reflecting the fierce glow of distant fires within the reactor. Flames dance across the curved lenses in shades of red , orange , and intense yellow , creating a haunting , distorted view of the fiery chaos within. Lighting and Shadow Play: The overall lighting is low and moody , with harsh shadows defining the rugged texture of the mask and highlighting its worn , weathered surface. Dim light from a flickering source to the left illuminates the mask partially , casting deep shadows across the rubber surface , creating an ominous , high-contrast look. Hazy backlighting subtly outlines the mask’s contours , adding depth and a sense of foreboding. Atmospheric Details: The air is thick with smoke and radioactive dust , faintly illuminated by the fiery reflection in the lenses. Tiny , glowing particles float through the air , adding to the toxic , dangerous atmosphere. Thin wisps of smoke drift around the mask , softening the edges and giving the scene a ghostly quality. Surface Texture and Wear: The rubber of the mask is cracked and stained , showing the toll of exposure to radiation and extreme heat. Ash and small flecks of debris cling to its surface , adding realism and a gritty feel. Around the edges , faint condensation gathers on the rubber , hinting at the liquidator’s breath inside the suit. Reflection Details in the Lenses: In the mask's lenses , we see reflections of distant fires raging inside the reactor , with structures burning and twisted metal faintly visible in the intense glow. The reflections are slightly distorted , warped by the rounded glass , as if the fires themselves are bending reality. Occasional flickers of light pulse in the reflection , conveying the flickering intensity of the flames. Mood and Composition: The close-up shot emphasizes the isolation , courage , and silent determination of the liquidator. The composition is hauntingly intimate , placing the viewer face-to-face with the mask , capturing the intensity of the task and the immense , invisible danger surrounding them. Every detail contributes to a heavy , foreboding atmosphere , evoking a sense of dread and silent resilience. ,

Intricate black and grey drawing , highly detailed and semi-realistic , designed as an advanced preparatory sketch for a tattoo. Full composition for outer bicep and shoulder. Central figure: traditional Thai Buddha , seated with one knee raised , head gently tilted to the side , serene and enlightened expression. Elegant drapery on his robe , with soft fabric folds and subtle shadows. Behind him , a majestic Thai Naga: a serpentine dragon with multiple ornate horns , sharp fangs , long finned whiskers , richly detailed scales and textured coils. The Naga winds behind the Buddha in an S-curve , dynamic and flowing , with sense of spiritual protection. Background: a delicate , elegant three-tier Thai pagoda , visible over the Buddha’s shoulder , with ornate roof details , curved tips , and shaded wood textures. Floating throughout the composition: soft , drifting Japanese cherry blossom petals , bringing poetic movement and lightness. The composition is harmonious , flowing with anatomical curves of the bicep and shoulder. Clear visual hierarchy , deep contrast , strong shading to emphasize volumes and textures. Drawing style: black and grey ink sketch , with high-definition pencil-like linework , bold outlines mixed with soft shading. No color. Not a tattoo render — pure art drawing with anatomical logic , atmospheric depth and rich symbolic detail. --- 🐉 Bonus — description précise du Naga thaïlandais : > The Thai Naga is a mythical serpent-dragon hybrid. It has a long , sinuous body like a snake , but with a fierce dragon face , a crown-like horned crest , flame-like eyebrows , and flowing fin-like ears. Its body is covered in symmetrical , overlapping scales , often detailed like fish or dragon scales. It exudes motion and power , and often coils with flowing elegance. Unlike Chinese dragons , it has a more divine and protective presence , often associated with water and temple guardianship. ,

> Black and grey high-resolution drawing , highly detailed and semi-realistic — not a tattoo render but a clean , refined artwork for preparatory tattoo design. No color , pure pencil or ink style. Scene composed for outer bicep and shoulder , flowing naturally with muscle curvature. Central figure: traditional Thai Buddha sitting in a relaxed pose , head leaning into his hand , one knee raised , calm and compassionate expression. Classic Thai features: elongated earlobes , stylized spiral hair curls , soft smile , gentle downcast eyes. His robe drapes in realistic folds with soft shading , suggesting silk texture and weight. Behind and around the Buddha , a majestic Thai Naga coils in a dynamic upward S-shape. The Naga is a serpentine mythical creature from Thai Buddhist tradition , combining the grace of a snake with the divine power of a dragon. Its head is large , with a wide open mouth revealing sharp fangs , and flaming , arched eyebrows above intense eyes. It wears a multi-pointed crown or crest , adorned like a deity , with multiple ornate horns rising symmetrically. Two long , fin-like ears flow backwards from the sides of the head , resembling river currents. Its whiskers extend in thin , flowing arcs , adding sacred elegance. The body is long and muscular , covered in highly detailed , overlapping fish-like scales , shaded for volume and realism. As it coils behind the Buddha , its movement suggests both protection and spiritual energy , never overpowering the scene. In the background , above and to the shoulder side , a refined three-tier Thai pagoda or temple rises with gently curved rooflines and fine architectural details. The temple is small in scale to respect depth and balance , like a sacred silhouette above the scene. Floating across the composition: delicate Japanese cherry blossom petals , drifting through the air , adding spiritual poetry and motion. Style: hand-drawn ink or pencil illustration , black and grey only. Clean composition with anatomical logic , deep texture , and light atmospheric background. Emphasis on texture and balance: Buddha’s face: soft stone or skin-like texture Naga’s body: dense , glossy scaled pattern with high contrast Pagoda: wood and stone shading Cherry petals: soft , semi-translucent Composition must remain readable , elegant , and harmonious — suitable as a sacred and artistic foundation for a future tattoo design. ,

14-year-old white-skinned girl , young female acrobat performing on an aerial hoop , flexible body , elegant dynamic pose , arched backward with one leg extended , holding the hoop with both hands and one foot , joyful and focused facial expression , smiling , wearing a full-body tight-fitting concert costume that covers arms and legs , decorated with vivid yellow and red feather-like patterns , highly stylized vector art with clean and accurate shapes , harmonious and vivid color palette , well-balanced composition , bold and clean outlines , smooth gradient shading , dynamic exaggerated comic composition , digital illustration in modern Marvel comic book style , energetic and expressive , inspired by superhero aesthetics , crisp vector linework , Webtoon influence , high-detail visual storytelling , solid chroma key green background (#00FF00) , no background elements , optimized for subject isolation and post-processing ,

I make hand-poured candles and need a design for a Candle Care Instruction Card. The card should be aesthetic and minimal , with natural illustrations , like branches or twigs , possibly in the corners or as subtle decorative elements. The style should feel calm , clean , and slightly rustic or nature-inspired. Please include the following text in an easy-to-read serif or handwritten-style font: CANDLE CARE • For the first time , leave the candle burning for at least an hour to avoid ‘tunneling’ and fast ending of the candle • Do not keep the candle lit for more than 4 hours • Trim the wick to 6mm before each use (or remove the burnt part with your hands) • Do not blow out the candle , but cover it with a lid to avoid an unpleasant smell • Keep the candle away from children , animals , and open windows • When not in use , cover the candle with a lid to avoid dust on it • Do not leave a candle unattended if it contains dried flowers to prevent possible ignition ,


Create a new cover for the Bon Jovi album These Days. It shouldn't portray the band , make it like a blurry with motion picture of a lonely recording studio. The instruments are there , no one playing them (guitar , bass , keyboards , drums , percussion , and mics). It should be in black and white. Make it artistic and a little bit melancholic. ,

Create a new cover for the Bon Jovi album These Days. It shouldn't portray the band , make it like a blurry with motion picture of a lonely recording studio. The instruments are there , no one playing them (guitar , bass , keyboards , drums , percussion , and mics). It should be in black and white. Make it artistic and a little bit melancholic. ,

Meeting representatives of five different alien races gathered in a Futuristic architectural structure of a massive bio-mechanical Crab composed of rigid bones and metallic mechanisms , standing dominant in a desolate. plasma streaming up from the ground. Each race had its own unique features: one is covered in scales. the second has soft skin. the third looks like a living crystal , reflecting light. aliens close-up , the fourth is made of plasma , the fifth is made of ice ,

"A high-end , cinematic cover design for a marathon titled 'Time Leak'. The background is a deep yet luminous gradient transitioning from rich black at the edges to vibrant dark purple and indigo in the center , softly illuminated with a subtle radial glow to create depth and brightness. In the center , a sleek , modern hourglass stands on a reflective dark platform , crafted from polished black glass and brushed steel. Inside , the sand flows upward in a smooth , glowing stream of bright electric blue and soft cyan light — vibrant but not cartoonish , symbolizing time escaping. The flow creates a gentle distortion in the air , like a ripple in spacetime , with faint light trails and floating micro-particles glowing in blue and violet. The title 'Утечка времени' is displayed in bold , clean Cyrillic font — bright white with a soft electric blue outer glow and a thin silver outline , ensuring high readability. Positioned directly beneath , the word 'Марафон' appears in a modern sans-serif font , light gray with a subtle shine , perfectly integrated into the composition. The overall atmosphere is elegant and professional: balanced contrast , refined lighting , luminous accents , and a sense of motion and focus. Style: modern conceptual design , cinematic realism , high-end digital art , 8K resolution , ultra-detailed , vibrant yet sophisticated color palette of black , deep purple , electric blue , and cyan — bright enough for digital use , serious in tone , no cartoonish or playful elements." ,

((Oil on canvas)) , ((Highly detailed)) , ((Triptych of a an owl )) , ((William Blake)) , (sitting on branch) of an ((ancient , twisted , gnarled , moss covered , Antartic Beech tree)) , ((ultra detailed and realistic)) haunting image , eyes wide , rich colouring , (( in ceter panel is a large full moon , detailed craters visible on moon)) , (a bat is flying across moon) , ((bright Milky Way across sky running across all three panels)) , ((eerie , swampy , misty background across all three panels)) , ((award winning art) , (((masterpiece))) , ,

((Oil on canvas)) , ((Highly detailed)) , ((Triptych of a an owl )) , ((William Blake)) , (sitting on branch) of an ((ancient , twisted , gnarled , moss covered , Antartic Beech tree)) , ((ultra detailed and realistic)) haunting image , eyes wide , rich colouring , (( in ceter panel is a large full moon , detailed craters visible on moon)) , (a bat is flying across moon) , ((bright Milky Way across sky running across all three panels)) , ((eerie grave headstones visible in misty background across all three panels)) , ((award winning art) , (((masterpiece))) , ,

((Oil on canvas)) , ((Highly detailed)) , ((Triptych of a an owl )) , (sitting on branch) of an ((ancient , twisted , gnarled , moss covered , Antartic Beech tree)) , ((ultra detailed and realistic)) haunting image , eyes wide , rich colouring , (( in ceter panel is a large full moon , detailed craters visible on moon)) , (a bat is flying across moon) , ((bright Milky Way across sky running across all three panels)) , ((eerie grave headstones visible in misty background across all three panels)) , ((award winning art) , (((masterpiece))) , ,

((Wlop)) of a ((highly detailed owl)) , sitting on branch of an ((ancient , twisted , gnarled , moss covered , Antartic Beech tree)) , ((ultra detailed and realistic)) haunting image , eyes wide , rich colouring , (bats flying across large full yellow moon) , and ((bright Milky Way across sky)) , (craters visible on moon) , ((eerie misty background)) , ((award winning )) ((masterpiece)) ,

Poster art , by WLOP , of a ((highly detailed owl)) , sitting on branch of an ((ancient , twisted , gnarled , moss covered , Antartic Beech tree)) , ((ultra detailed and realistic)) haunting image , eyes wide , rich colouring , (bats flying across large full yellow moon) , and ((bright Milky Way across sky)) , (craters visible on moon) , ((eerie misty background)) , ((award winning )) ((masterpiece)) ,

Poster art by Homer Tanuka , ((highly detailed owl)) , sitting on branch of an ((ancient , twisted , gnarled , moss covered , Antartic Beech tree)) , ((ultra detailed and realistic)) haunting image , eyes wide , rich colouring , (bats flying across large full moon) , and ((bright Milky Way across sky)) , (craters visible on moon) , ((eerie misty background)) , ((award winning )) ((masterpiece)) ,

((Wlop)) of a ((highly detailed owl)) , sitting on branch of an ((ancient , twisted , gnarled , moss covered , Antartic Beech tree)) , ((ultra detailed and realistic)) haunting image , eyes wide , rich colouring , (bats flying across large full yellow moon) , and ((bright Milky Way across sky)) , (craters visible on moon) , ((eerie misty background)) , ((award winning )) ((masterpiece)) ,

((Oil on canvas)) , ((Highly detailed)) , ((Triptych of a an owl )) , (sitting on branch) of an ((ancient , twisted , gnarled , moss covered , Antartic Beech tree)) , ((ultra detailed and realistic)) haunting image , eyes wide , rich colouring , (( in ceter panel is a large full moon , detailed craters visible on moon)) , (a bat is flying across moon) , ((bright Milky Way across sky running across all three panels)) , ((eerie grave headstones visible in misty background across all three panels)) , ((award winning art) , (((masterpiece))) , ,

(Oil on canvas)) , ((( Hieronymus Bosch art))) , of a ((highly detailed owl)) , sitting on branch of an ((ancient , twisted , gnarled , moss covered , Antartic Beech tree)) , ((ultra detailed and realistic)) haunting image , eyes wide , rich colouring , (bats flying across large full yellow moon) , and ((bright Milky Way across sky)) , (craters visible on moon) , ((eerie misty background)) , ((award winning )) ((masterpiece)) ,

(Oil on canvas)) , ((( Hieronymus Bosch art))) , of a ((highly detailed owl)) , sitting on branch of an ((ancient , twisted , gnarled , moss covered , Antartic Beech tree)) , ((ultra detailed and realistic)) haunting image , eyes wide , rich colouring , (bats flying across large full yellow moon) , and ((bright Milky Way across sky)) , (craters visible on moon) , ((eerie misty background)) , ((award winning )) ((masterpiece)) ,