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Explore AI generated designs, images, art and prompts by top community artists and designers.
A hyper-realistic depiction of a desolate , decaying street in a modern city , overrun by thick layers of cobwebs and towering , grotesque spiders. The crumbling concrete buildings , shattered windows , and rusted street signs are covered in intricate , glistening webs that stretch between structures , creating an eerie , tangled canopy. Massive spiders—each with hairy , segmented legs and glistening , multifaceted eyes—lurk in the shadows , some clinging to the walls while others crawl across the cracked pavement. The lighting is dim and moody , with patches of faint , sickly greenish light filtering through the webs , casting long , distorted shadows. The atmosphere is oppressive and abandoned , with a sense of creeping dread , as if the city has been reclaimed by these monstrous arachnids. Every detail , from the texture of the decaying infrastructure to the fine hairs on the spiders' legs , is rendered with painstaking photorealism , creating an unsettling and immersive scene. , ,
A terrifying zombie emerging from a dense white smoke billowing out of a factory , its tattered clothes barely hanging on its decaying body. The zombie's skin is pale and rotting , with visible wounds and a menacing expression. The factory in the background is old and abandoned , with broken windows and rusted metal structures. The smoke is thick and swirling , adding a sense of mystery and dread. The scene is dark and eerie , with a focus on the zombie's slow , lumbering movements as it steps forward. The drawing style is realistic and detailed , with a emphasis on the textures of the zombie's skin and the smoke , creating a chilling and atmospheric image. ,
A sleek , futuristic airship hovers over the ruins of a once-thriving futuristic city , casting long , eerie shadows on the crumbling buildings below. The sky is dark , illuminated only by intermittent green flashes that reflect off the airship's metallic surface. The vessel is adorned with intricate , cutting-edge designs , hinting at the advanced technology of a bygone era. The ruined cityscape is a jumble of collapsed structures and abandoned technology , with remnants of futuristic architecture scattered throughout. The overall atmosphere is one of mystery and desolation , with the airship serving as a beacon of hope amidst the devastation. The scene is rendered in a detailed , realistic style , with sharp lines and careful attention to the play of light and shadow. ,
"Create a surreal and dystopian image inspired by Stanley Kubrick's 'A Clockwork Orange' , but with a unique twist: the main characters (Alex and his droogs) are located in Plaza de Mayo in Buenos Aires , Argentina. Incorporate the following elements: - Alex , the protagonist , is at the center of Plaza de Mayo , wearing his iconic black and white outfit , with his characteristic hairstyle and defiant expression. - His droogs (Dim , Pete , Georgie , and Billyboy) are scattered around the plaza , also dressed in similar clothing , interacting with the environment in a menacing and challenging way. - Incorporate architectural elements of Plaza de Mayo , such as the Casa Rosada , the Cabildo , and the Pyramid of May , but with a dystopian and degraded touch , as if they were in ruins or under some kind of siege. - The sky should be dark and stormy , reflecting the ominous and violent tone of the movie. - Include details that reference Argentine culture and the history of the plaza , such as torn Argentine flags , graffiti with Cyrillic letters or symbols of urban subculture , mixed with futuristic and science fiction elements. The visual style should combine realism with surrealist and futuristic elements , similar to the work of Syd Mead or H.R. Giger. The image should convey a sense of chaos , rebellion , and decadence , capturing the essence of the movie but in a unique and surprising environment." ,
Full body , gold-trimmed leather boots , Oded Fehr as Mamluk Sultanate Sultan , wearing an ornate silk robe with gold embroidery , a jewel-encrusted turban , and a curved sword at his side , tall and imposing with a neatly groomed beard and piercing eyes , on a White Background , 4K , Matte Painting ,
Hyper-realistic macro photograph of a cake slice with banana and strawberry filling. Airy vanilla sponge layers in a light golden color , soaked with syrup. Filling: moist vanilla sponge , smooth cream cheese , small caramelized banana pieces , a layer of delicate baked strawberry cheesecake , and a crunchy layer of white chocolate. The banana looks juicy and tender , the caramel has a glossy finish , the strawberry cheesecake has a creamy texture with a soft pink hue , and the crunchy white chocolate layer looks appetizing and contrasting. The cream has a silky , glossy surface , and the sponge looks airy and soft. The cake slice is placed on a white porcelain plate with a fine gold rim , accompanied by an elegant gold dessert spoon. Lighting — soft , warm daylight that enhances the juiciness of the fruits and cream. Background — blurred pastel white to keep the focus on the slice. Shot in 9:16 format on Canon EOS R5 50 mm F1.8 ST. ,
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Vertical banner for large-format printing , dimensions 1 meter tall x 0.50 meters wide , for a store selling keto products. At the top , a minimalist circular logo in green and gold. Below , a very large and centered main text in one single line: PRODUCTOS KETO. Below that , a list of products in ALL CAPS , clear and readable typography: SORRENTINOS , TALLARINES , TAPAS DE EMPANADAS Y PASCUALINA , BUDINES , TORTAS DULCES INDIVIDUALES , ALFAJORES , PANES KETO. Include realistic , appetizing photos of the mentioned products arranged neatly around the text , with warm lighting. Background in light tones (white or soft beige) with fresh green accents. Modern , clean style in high resolution , suitable for printing. ,
stone castle atop a rocky hill , early cathedral under construction with wooden scaffolding , small village of timber and wattle houses along riverbank , market stalls with cloth and produce , peasants in wool tunics , farmland and grazing sheep surrounding settlement , distant rolling hills , morning , overcast , autumn , Matte Painting , 4K ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , ((long white hair wthi large white head band)) , , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SpECTACLES} , she does not wear spectacles) , ,
best quality , masterpiece , ultra high res , photorealistic , detailed skin , wearing short and tight black pencil skirt , and black button up office shirt with high frilly collar , black sheer stockings and black high heels , 75 year old , ((long white hair wthi large white head band)) , , leaning against kitchen bench , Glass of champagne in her hand. She is smilling at the man takiing pictures directly in front and below her , {NEGATIVE PROMPT: SpECTACLES} , she does not wear spectacles) , ,
A **hyper-cinematic , apocalyptic flood disaster** unfolding in a **SimCity-inspired megacity** , where a **colossal , monstrous wall of dark , churning floodwater**—teeming with **twisted steel girders , shattered skyscraper glass , uprooted trees , and the wreckage of urban civilization**—**smashes through the heart of a once-pristine , grid-perfect metropolis** with terrifying , unstoppable force. The flood **engulfs towering skyscrapers in seconds** , **snaps elevated highways like brittle twigs** , and **erases entire city blocks in a single , devastating surge** , leaving only **chaos , ruin , and swirling vortices of destruction** in its wake. The city , once a **masterpiece of urban planning—symmetrical streets , sprawling suburbs , dense commercial hubs , and meticulously zoned industrial districts—**now **drowns in cataclysmic ruin** as the floodwater **carves a path of absolute devastation** , reducing decades of infrastructure to **floating debris**. **Cars , street signs , fragments of collapsed buildings , and uprooted lampposts** spin violently in the torrent , while **collapsing overpasses , crumbling bridges , and submerged highways** struggle against the relentless current. **Desperate survivors cling to rooftops , overturned vehicles , and the last remnants of high ground** , their faces illuminated by the **eerie , storm-choked light** of a dying city. The scene is rendered in a **blockbuster disaster movie aesthetic**—**hyper-dramatic , high-contrast lighting** casts **long , jagged shadows** across the ruin , while **explosive bursts of spray , mist , and flying debris** fill the air. The **atmosphere is thick with tension** , the **water’s murky depths hiding unseen horrors** , and the **last flickers of civilization**—**emergency sirens , distant screams , the groaning collapse of steel**—echo through the storm. The **composition is chaotic yet cinematic** , with **dynamic angles** capturing the **sheer scale of destruction**: **a skyscraper toppling in slow motion , a bridge snapping mid-collapse , a lone survivor reaching for a helicopter’s dangling rope**. Every detail screams **epic , high-stakes survival**—**the flood is not just water , but a living , consuming force** , and the city’s **once-orderly grid is now a nightmare of swirling currents , submerged streets , and the skeletal remains of urban life**. The **lighting is dramatic** , with **pockets of eerie glow**—**flickering streetlights beneath the water , the distant flare of explosions , the cold blue hue of the storm**—contrasting against the **crushing darkness of the flood’s depths**. This is **disaster on a biblical scale** , a **SimCity metropolis erased in minutes** , and the **last moments of a civilization swept away**. ,